
The whole post-a-week thing for Kino fell through, so here’s my end of the series retrospective.
We watched Kino no Tabi as part of the first group on SCCSAV that I started that didn’t spawn out of Iyashikei Mondays. I’m going to do a full post with my experiences with the SCCSAV group since that was one of the highlights of my year, but for now let’s focus on Kino no Tabi.
Kino no Tabi is a highly episodic series that follows the journey of Kino and her talking motorcycle Hermes. Each episode was an exciting visit to a new location. It excels at taking things that we’re familiar with in our lives and putting a strange otherworldly twist on them. A few examples come to mind. Episode 8 is called “The Land of Wizards” is an uplifting story where Kino helps a girl to build a flying machine against the opposition of the townspeople who believe that she’s better off doing something more productive. Episode 5 contains the story about what happens when mob rule is allowed to run amok, resulting in everyone in the country being killed over disagreements until there’s only one person left. Episode 12 is probably the most memorable. In every episode leading up to this point, Kino has demonstrated that her skills with her guns can get her out of any situation, but in this episode she’s can’t do anything as she watches two countries carry out a genocidal action. Kino no Tabi invoked every emotion from happiness and a longing for adventure to fear and hopelessness.
By telling stories filled with the entire spectrum of emotions of the human experience, Kino no Tabi succeeds in capturing its central message:
The world is not beautiful; and that, in a way, lends it a sort of beauty
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